Digital Art is Art.

(See my previous post for a bit of context here.)

Since I’ve been sans shop/studio and focusing on finishing up our house remodeling, I’ve also felt the need to create some ART. Decided to make use of my iPad Pro once again to produce some pieces of graphic design/2d art. One thing I really appreciate about the iPad is the flexibility it gives for interaction and body position; sitting at a traditional desktop and using the mouse causes me debilitating pain after just a couple hours at this point in my life (old). It’s weird, since I can spend 6 to 8 hours at the business end of a 4 inch grinder with fewer downsides. Dunno, maybe those two items are somehow mysteriously linked?!?!?

Anyway, here are some things I’ve been making:

The process is simple, but complex, in that it involves producing gobs of iterations for each image (sometimes more than 20), then tweaking, adding filters and masks, then stacking them to create blends. The packed-circles effect is accomplished with an app called Percolator, which lends a unique geometric flair to each piece. It’s a workflow that I find both thrilling and relaxing, as it includes elements of surprise and whimsy coupled with ruthless decision making. I’ll often look up at the time and realize 3 or 4 hours have flowed past in blissful concentration. I do struggle a bit with finding value in the work, but I’ve been working on that:

“The amount of labor involved in the creation of a work of art has absolutely no bearing on its aesthetic value.”

This is in response to my self-doubt as to the validity of my digital artwork. I’m actually struggling with the concept of aesthetic value vis-a-vis the method of said work’s creation. Somehow, the feeling that my sculptural work has greater value than my digital work is blocking me. It recalls the days when I was carving, and the contrast in material costs to bronze casting was having undue impact on my pricing. Neither the cost of the raw materials nor the labor involved should influence the apprehension of the value of a work of art. The cost of the canvas and paint to Van Gogh mean nothing to the collector who spends hundreds of millions of dollars to acquire the painting. A computer or other digital device is no different than a paint brush, or chisel, or welder, or table saw: it is a (hopefully skillful) means to an end, and that end is capital-A “Art.”

(Thinking about Art in terms of product and price is another mental sticking point for me, but that’s a subject for another day.)


A couple pieces of news.

First, after 25 years together, I am no longer represented by the National Sculptors’ Guild and Columbine Gallery.

Second, new developers have bought the building my shop was in. So, almost 4 years to the day since I moved in, (much like Elvis) I’ve exited the building.

Here it was in 2014, ready to get to work:

Hello Shop
Hello Shop
Goodbye Shop
Goodbye Shop

Interwoven: Installed!

Interwoven – INSTALLED!

Ran down to Little Rock on Sunday/Monday with Interwoven in tow. Stayed with new friends Mike and Marty, then got up Tuesday morning and bolted it down to the base. As usual, the City Parks crew were a huge help, and have become some of the best art handlers/installers in the country. I love the bridge as a backdrop: the piece was at least partially inspired by the multiple bridges across the Arkansas river, and their riveted, industrial aura.

See below for some more photos:


Interwoven is finished
Interwoven: Done!

After five long months of work through the winter, Interwoven is finally done. Very happy little metal monkey over here. So pleased, in fact, that I composed a wee poem for the occasion:

Unseen fabric
Warp of Time
Weft of Space
The tapestry of connection
Between me and everything
Node to node
Emergent consciousness
And Synecdoche 

Hydrogen becoming
A Universe evolving
with which to see

Below are some additional images documenting the final stages of the assembly: